One of the great experiences of my life happened when a friend who owned a café created an Opera night. This night was made memorable by not only the food, wine and ambience that was created, but also the absolutely spine tingling magnificence of the singing.
One of the Opera singers that night was Simon O’Neill. At that time he was waiting tables to pay for his singing lessons. Today he is understudy to Placido Domingo at New York’s Metropolitan Opera. Simon is due to perform for one night in Auckland and todays New Zealand Herald features an article on him http://www.nzherald.co.nz/topic/story.cfm?c_id=274&objectid=10456588.
In the article Simon talks about his conductor for his latest production Wagner’s Ring. Simon talks of his relationship with the conductor for this production, Antonio Pappano.
An excerpt from todays New Zealand Herald:
“It was Pappano's baton which guided O'Neill as Florestan two months ago.”
"He's terrifying," is the answer when asked what the high-flying conductor is like to work with, "but he is also so kind. He wants more than you feel you can give, which is a good thing ultimately. He wants more legato, more tone, more piano, more dolce, more depth, more declamation.
"He is with you all the time."
What is the relevance of this?
Well as coaches we aspire to be like Pappano, where we are a stand for our client’s success, and we are asking more of our clients than they believe they have to give.
We want more insights, more systemic thinking, more inspiration, more excellent execution, more learning and growth. Our role as coach is to set high standards and continue to demand that of our clients so that often they surprise themselves by producing results that they never thought possible. Our role is to “be with you all the time”.
It takes something to set the standards of Pappano. It is much easier to go with the “good enough” which is comfortable. To get to the highest level however, requires you to get out of your comfort zone and to push the boundaries.